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I moved to France when I was 17 and graduated from high school here. My majors were literature and philosophy. After graduating from the Academy I joined the ensemble of the National Theater in Lyon and toured with them for a couple of years.
Not before I moved here, no, but both my parents are Spanish and I was born on the Canary Islands so knowing Spanish made it a bit easier.
When I grew up we went back and forth between Sweden and Spain till I was nine, and we moved to Gothenburg. How do you manage to cry on command?
Activating your tear ducts is a pretty physical thing, I think. Everyone goes around pretty much in control all day.
You tighten your abs and clench your face. So once you let go, a lot of emotions are released.
This issue is about the head, both on the inside and outside. What are your spontaneous thoughts on that theme? He argues that an emotion is the feeling in the body that starts moving when you are subjected to a situation that is either highly negatively or positively charged.
A lot of things happen in the body then that are visible, you see how the muscles throughout the body react. Damasio often speaks about actors particularly, since we are always in-between these things.
In Shakespeare or Greek dramas the text is so charged that when you tell a horrible story, your psyche creates images that then become feelings that affect the body.
It means that you are constantly busy. Well, the important thing for me is to get the opportunity to work with interesting directors.
Michael Marcimain and I have worked together for seven years now. He gave me my first part in a movie, before I had done any work in Sweden. I have that approach when it comes to theater as well.
There you want to tell a story and share a text, and that text is about the whole project, not only your character.
Swedish actress Ruth Vega Fernandez inspires us in many ways. Her style has this perfect balance between ladylike and effortless cool — so we thought it was time to ask Ruth some questions about how she makes it last.
Has the city influenced the way you look at fashion and how you dress? All of it in a sexy disheveled way. Very much like an elegantly dressed woman who has spent the night out dancing and has just woken up after having slept in her clothes and makeup.
French people are less interested in mainstream and conformity, they are more interested in freedom and debate. Not in consensus.
Not in political correctness… Swedes are beautiful, even gorgeous but very sort of clean, proper and pulled together.
In Sweden, the interest for sustainable fashion has grown during the past couple of years, both among consumers and producers.
It remains a hugely respected tradition. The appreciation for the object or piece, the thought and work that has gone in to it and the knowledge and skills required to make it, makes people care more for their garments and accessories.
Not just consume and throw them away. The fashion industry is moving very fast today. What do you think of the high speed consumption that prevails today?
For example, shop at second hand stores or repairing clothes? My mum, sister and I used to sew, tint and customize instead of buying new garments.
I still love buying vintage. And I take care of them with a lot of precaution in order for them to last. For example I have a pretty tight relationship to my cobbler one of Paris best.
I bring my shoes for supervision and repair regularly and even ask him for advice before purchasing a new pair. I also have been wearing the same style pants for more then fifteen years.
A pattern from the late thirties that my tailor does in different garments every year. The more one feels fulfilled the less one urges to fill the emptiness with bulimic consumption.